LAUNCHED IN 2010, THE SITCH ON FITCH BECAME THE INSPIRED, RESPECTED BRAND OF PASSION OVER THE ACHIEVEMENTS AND PRESTIGE OF ABERCROMBIE & FITCH CO. (ADMIRATION FOR ITS PAST GOING BACK TO 1892 AND FOR THE MODERN-TIME HEIGHTS OF THE MIKE JEFFRIES ERA); IT WAS OFFICIALLY, POSITIVELY RECOGNIZED BY A&F HOME OFFICE BY APRIL 2012, WITH A DIRECT EMAIL TO THE EDITOR-IN-CHIEF, DURING ITS GROWTH AS THE ONE-OF-A-KIND, MULTINATIONAL ONLINE PUBLICATION, WITH HIGH-GRADE PRESENTATION WHICH EVOLVED OVER ITS RUN, FOR RELEVANT, UNIQUE, IN-DEPTH BUSINESS, CULTURE, AND STYLE CONTENT FOR THE COMMUNITY OF CUSTOMERS AND ASSOCIATES WORLDWIDE (MONTHLY PAGEVIEWS SURPASSED 110K BY AUGUST 2012); AND IT WAS FOLDED BY SEPTEMBER 2015 AFTER THE DECEMBER 2014 RETIREMENT OF MIKE JEFFRIES AND THE EDITOR-IN-CHIEF'S DISTASTE WITH THE FURTHER DEGRADATION OF THE COMPANY BY ITS NEW MANAGEMENT. WITH CONTENT BY THE PERSPECTIVE OF DEVOTED CUSTOMERS AND ASSOCIATES FROM AMERICA, EUROPE AND FAR EAST ASIA, THE SITCH ON FITCH (2010-2015) REMAINS AS A HISTORICAL, ZEITGEIST ONLINE PUBLICATION OVER THE FINAL YEARS OF THE MIKE JEFFRIES ERA. THIS SITE WILL BE REVAMPED SOON TO OFFICIATE AN INTELLIGENT ARCHIVE FOR THE USE OF ALL PARTIES INTERESTED IN THE CONTENT PUBLISHED DURING THE PUBLICATION'S ORIGINAL RUN.
Showing posts with label Artistically Inclined. Show all posts
Showing posts with label Artistically Inclined. Show all posts

Tuesday, March 19, 2013

We Love Bruce! | Weber Vanities in Hollywood...

An artistic love affair with Bruce Weber and his work is a classic as one for iconic Hollywood Americana. A god in the pantheon of modern American photographers, Weber's unmatched inimitable vision captures a transcendent grace permeating all between pillars of realism and romanticism. In utmost reverence for the Great Master’s ever flourishing corpus of magnificence, The Sitch on Fitch proudly brings to you the premier of WE LOVE BRUCE! forever to highlight Webergenius in artistic might!

For this premier post, Editor-in-Chief C.E.R. produced a collection of captivating photography, with his own personal artistic aesthetic, capturing Weber's latest work in print for Vanity Fair March 2013...





















This is just a preview... Explore the entire 'Weber Vanities in Hollywood' album – which also includes featured celebrity details and info links – exclusively on The Sitch on Fitch on Facebook (here). Make sure to like us on Facebook if you haven't already!

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Photography from the 'Weber Vanities in Hollywood' album is by C.E.R. exclusively for The Sitch on Fitch. Images may not be used/altered by third-party entities without permission by the author.

Saturday, January 26, 2013

ARTISTICALLY INCLINED! | ABERCROMBIE & FITCH FAMILY ICONS...




#ABERCROMBIEHOT
#GILLYHICKSGIRL




The incredible all-new fashion season has arrived with a Spring storm of imagery afresh! With fine touches of bright color and cool, our American correspondent, Hayleigh, shares with us intimate photographic closeups capturing the Abercrombie & Fitch Family icons at the start of #Spring2013...









See more from the ' #SoHot A&F Family Icons ' album on The Sitch on Fitch on Facebook (here)!

Stay FIERCE!

The Sitch on Fitch thanks its American correspondent, Hayleigh Tilton, for her work. Images in this post and in the ' #SoHot A&F Family Icons ' album are by Hayleigh Tilton for The Sitch on Fitch and they may not be used/altered by a third party entity without permission from the author.

Wednesday, January 23, 2013

Dom in England! | Creating Custom Hollister Clothes...


As you’re probably well aware by now, I’m a huge fan of the brands created by Abercrombie & Fitch. However, I’m equally as enthralled by the clothes themselves, and attention to detail has always been something which has really grabbed my attention.

I’m not going lie here – sadly, Hollister, in particular, has been forced to sacrifice some of the attention to detail which made it so appealing to me in the first place. That isn’t to say the clothes aren’t any good – in fact, the upcoming spring floorset is shaping up to be one of the best in many, many years – but they have lost the little touches which made the clothes feel authentic. And I am a sucker for authenticity.

The problem isn’t so much the quality of the fabrics themselves, it’s the lack of variation in design that appeals to me personally. So, rather than moan about this, I decided to take matters into my own hands (literally) and physically create some entirely unique one of a kind pieces of clothing that nobody else in the world would have...take a look! I've also answered some basic FAQs you may have...



The Clothes

Emerald Cove Sweatshirt transformed into Doheny Custom Pullover...



The Original Emerald Cove Sweatshirt


The finished product...gradually faded and weathered green garment dye.


Custom destroyed appliqué logo and nicking and grinding at trims.







Moor Park Hoodie transformed into La Jolla Custom Hoodie...



The original Moor Park Hoodie


The finished product, now coloured in triple washed, double dyed light navy





Custom destroyed trims and edges, as well as hand painted and destroyed logo appliqué.




Cabrillo Beach Polo transformed into Capistrano Beach Custom Polo



The Original Cabrillo Beach Polo


The New Capistrano Beach Custom Polo, with inconsistent washed navy colour,
contrast seams and rugged destruction at hems and trims.





How did I create these?

A LOT of effort (haha!) Each piece of clothing turned out to be very different to create. I'm not going to go into specifics on each item, but the majority of the results have a lot to do with careful hand washing, hand dyeing and destruction – as well as the use of painting (yes, painting) on specific parts of the garments to achieve certain effects.

Essentially, it's reverse engineering of how A&F used to treat their garments – except I had no industrial manpower behind me to achieve the end products. However, the great thing about doing it by hand is that you not only get more control over how things are done, but what things are done – I've got some purple and black items in the pipeline, for example – things you cannot get at A&F or HCo.

Are they wearable? Washable?

Yes, completely. The clothes keep their original shape completely, it's just the way they are presented that I was interested in changing. They all wash entirely fine as well, despite the added destruction and dyes – it's all carefully done to ensure that they stay as they are.

There is after all no point in making something look rugged if it isn't actually rugged as a piece of clothing!

Are the items for sale?

They will be – but not just yet.

I am definitely planning on selling in the future. It's my aim to create completely unique, one of a kind pieces of clothing that are the only ones of their kind in the world. For this reason there will be no repeats in my work to maintain total exclusivity...




I absolutely want to hear from you about what kinds of things you would love to see – that includes both Hollister Dudes and Bettys, as well as A&F guys and girls. I want your honest feedback: what you think of the work I've done, how it looks etc – let me know.

Either comment below or drop me a line at domrushton@gmail.com...

Speak soon guys!

Dom

Monday, December 3, 2012

Artistically Inclined! | Vintage Abercrombie & Fitch Looks...

Iconic style for the Abercrombie guy...
In vintage essence of rugged character and Ivy League heritage, FIERCE fan 'MeachamLake' (his pseudonym) models looks inspired by the classic Abercrombie & Fitch attitude. In his photography, MeachamLake's fantastic looks pay homage to the Abercrombie style of the 2000s (popped collars, elongated leather belts, etc.), to pure collegiate cool, and there is even a subtle nod to RUEHL No.925...










This is just a preview... View MORE exclusive images from the photo album at The Sitch on Fitch on Facebook (here)!

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The Sitch on Fitch greatly appreciates MeachamLake for his fantastic work and contribution to the blog. Photos in this post are by MeachamLake and they may not be used/altered without permission by the author.

Saturday, September 29, 2012

FIERCE Guest Blogger! | G. Alexander Shares on RUEHL No.925 for 'RUEHL Week 2012'...


Foreword by C.E.R.:

As Editor-in-Chief of this modest, globally influential blog in the world-spanning A&F Fans community, I, C.E.R., have been very pleased with the positive reception of our first ever RUEHL Week on The Sitch on Fitch. A brilliant new initiative, it is a tasteful homage to the cool and romance of the incredible, timeless concept that was RUEHL. And while I have had the privilege of expressing my passion for the brand to the world, I have also invited another person on board...another wonderful, creative and full-bright mind and heart. If anyone is driven more than I by an awe-inspiring passion for a love of "A&F and gang" it is definitely this personal friend of mine. He is to this day a positive member of the Abercrombie & Fitch Company. I reached out to him and he replied with the admirable enthusiasm which I know him for. As our first ever 'FIERCE Guest Blogger' on The Sitch on Fitch, he is G. Alexander with his own personal tale of swingin' with RUEHL... Ladies and gentlemen, G. Alexander...


__________________







Wearing his RUEHL No.925 mens leather messenger bag
with in season Abercrombie & Fitch pieces.

I can remember when I first heard about RUEHL; I was working for the Company back in 2005. It wasn't until fall of 2006 that I first began to understand the magic of it all. The thing I loved and hated the most about RUEHL was it accessibility. Because it was not widespread, the closest store was almost two hours away. It wasn't as mainstream as A&F, so there was definitely an aire of mystery and I liked that it had exclusivity. You couldn't walk into a RUEHL every day, which is what made my experiences so unique and memorable – I would do anything to go back one more time.

In Summer of 2008, a RUEHL Roadtrip had been set in my place with my good friend Colette, who is now a district manager for A&F in Germany. We listening to one A&F song after another and she had shared many exciting things about the store's design and concept. None of which compared to actually experiencing it. The whole ride there I was filled with anticipation, like a kid on Christmas and when we finally set foot inside the Freehold Malll I basically exploded with excitement. I charged through the crowds of people with absolutely no idea where I was going. Colette told me to slow down and she calmly pointed me in the right direction. I could smell the signature cologne, not knowing what it was, but I knew I was close. I gazed with wide eyes at the storefront knowing I had arrived. It's the coolest thing you've ever seen – as I've recounted to many of my friends. The store was set back and lined with a cement sidewalk as if you were in the city. There was a brick facade with windows, steps and a wrought iron gate. It was like you were standing outside of a brownstone in Greenwich Village and if you counted, there were three homes. 921, 923 and the glorious 925. As soon as you stepped inside, the feeling only became more intimate. There was a small room, a foyer, with a single hanging light fixture, a tall vase of white calla lilies and shelving filled with expensive leather handbags where I was quickly greeted by a very attractive young man in a navy stripped polo. There were stairs and a long hallway head. Men's to the left and women's to the right. The denim was showcased in a large wall with a floor to ceiling rolling ladder, like you would find in an old library. I couldn't get over how cool of a detail that was. I slowly wandered room to room filling my arms with clothing and that's where things start to get blurry as I lost myself in the smooth music and seductive environment. I spent another two hours the store...

There were three additional trips in between, where I dragged friends and co-workers to experience "the magic." On one of those occasions I was approached by a manager, her name was Chrissy. She complimented me on my style and inquired about my whereabouts. She had tried to recruit me to work in the store – I was more excited than I was when I got recruited at the 5th Ave A&F flagship. I told her I was flattered and explained that I worked for the Company, but did not live around the area. I still have that card with the application information and store's phone number on my bulletin board. I've even called that number on more than one occasion after the brand closed, hoping someone might answer.

My final trip to RUEHL was in December of 2009. Alone. Looking back it's quite interesting to observe the bitter weather and my solidarity in comparison to the close of RUEHL. I just as quickly made my way to the store as I did on my first adventure. Once again I smelled the cologne and my heart started beating. Everything appeared the same from the outside, but it was a much sadder story inside. A large sign read "Christmas in the Village. 50% off the entire store." Before even making it into the first room, I could tell the store had a different energy. I frantically started grabbing everything in a size small – I didn't care what it was I had to leave with a piece of RUEHL. There were some rooms that were completely empty with all the lights turned off. I snuck into one of these dark rooms and took a seat on a small wooden stool. Don't Let Me Be Lonely Tonight by James Taylor was playing as I looked around. Where were those tall, elegant calla lilies I loved so much? As I made my way to the back to make my purchases, there was a chocolate velour ribbon that had been untied from one of the wreathes. I slipped it into my pocket as a momentum. That ribbon now hangs over the doorway to my bedroom. I left the store with several large bags and made the necessary stops at Hollister and Abercrombie, only to return to walk through the store one more time. I wasn't ready to say goodbye, but it seemed I had no choice.






G.Alexander models pieces from his RUEHL No.925 collection.



__________________












See the ENTIRE exclusive collection of photography (here) on The Sitch on Fitch on Facebook!

Wednesday, September 26, 2012

Artistically Inclined! | The Art Which RUEHL Inspires...


In late-January 2011, one year after the closure of RUEHL No.925, one endearing RUEHL fan found himself, amid books of modern art and bygone bohemianism, in his room in solitude. In a high state of reminiscence, he stood up from the floor, straightened up his slim straight jeans, and picked up a “vintage” circa 2005 camera. The results of his photographic endeavor capture the concept of RUEHL as art and strikingly allude to the heritage of Greenwich Village mixed with the modern, sensual sophistication and intelligence of the Post-Grad brand...

For RUEHL Week 2012, the private photography was extracted from his archives, and elegantly edited, to be presented, for the first time, to a greater audience. With the theme of an "artistic, young New Yorker's desk", the photography pieces in this post are samples of the creative art which RUEHL inspires...



Click on images to enlarge!












See the ENTIRE exclusive collection of photography (here) on The Sitch on Fitch on Facebook.

The photos in this post were created and are owned by C.E.R. for The Sitch on Fitch.